Citation
Duquette, Natasha. “’A Thousand Angles’: Photographic Irony in the Work of Virginia Woolf and Julia Margaret Cameron.” Mosaic: A Journal for the Interdisciplinary Study of Literature 33, no. 2 (June 2000): 125-142.
Abstract
This essay argues that both Julia Margaret Cameron and her great-niece Virginia Woolf challenge class and gender stereotypes through photographic irony Departing from the reading of Cameron as Woolf's staid Victorian foil, I suggest that Woolf was aware of the destablizing force of humor within Cameron's work.
Publisher
University of Manitoba Press
Copyright Notice
Copyright, University of Manitoba Press. All rights reserved.
Rights License
Attribution-NonCommercial-NoDerivatives 4.0 International License
Alternative Title
Photographic Irony in the Work of Virginia Woolf and Julia Margaret Cameron